Keep Up with Cutting-Edge Design on My Modern Modern - https://mymodernmet.com/category/design/ The Big City That Celebrates Creative Ideas Fri, 22 May 2026 21:35:03 +0000 en-US hourly 1 https://mymodernmet.com/wp/wp-content/uploads/2021/06/cropped-My-Modern-Met-Favicon-1-32x32.png Keep Up with Cutting-Edge Design on My Modern Modern - https://mymodernmet.com/category/design/ 32 32 National Geographic Promotes New ‘Secret of Bees’ Show With Billboards Doubling as Bee Hotels https://mymodernmet.com/secrets-of-the-bees-bloomboard/?adt_ei={{ subscriber.email_address }} Sun, 24 May 2026 13:45:36 +0000 https://mymodernmet.com/?p=823984 National Geographic Promotes New ‘Secret of Bees’ Show With Billboards Doubling as Bee Hotels

View this post on Instagram   A post shared by Meanwhile (@meanwhileagency) In parks, gardens, and urban areas scattered throughout Manchester, England, Disney and National Geographic are promoting a new show titled Secrets of Bees. The two are doing so in an unconventional way, however, foregoing typical billboards and instead installing a series of permanent installations […]

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National Geographic Promotes New ‘Secret of Bees’ Show With Billboards Doubling as Bee Hotels
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In parks, gardens, and urban areas scattered throughout Manchester, England, Disney and National Geographic are promoting a new show titled Secrets of Bees. The two are doing so in an unconventional way, however, foregoing typical billboards and instead installing a series of permanent installations specially made for the pollinators.

The new show, part of the Emmy-winning “Secrets of” franchise, was released on March 31, 2026. For the occasion, Disney hired the creative agency Meanwhile to bring light to the show that took years of study, research, and specialized equipment to film bees in a way never before seen.

The show focuses on the social structures, diversity, and survival of various bee species. Meanwhile created advertisements that aid in this mission, promoting the show and its message simultaneously, doing so with subtlety and creativity. The ads are designed as mini bee hotels, a resting point for solitary bees taking a break from pollination. And since these installations are meant to be permanent, they must be sustainable. The cedar used for these installations comes from sustainably sourced, already felled trees, which is a detail unnoticeable at first glance, but which really represents the level of thought, detail, and meaning in these boxes.

Meanwhile and Build Hollywood, aided by Manchester & District Beekeepers’ Association, also put up a permanent blooming billboard, coined “bloomboard,” in Heaton Park, that was made from the same felled cedar and surrounded by over 500 plants to assist the bees’ pollination.

The bloomboard and bee hotels encapsulate what National Geographic is trying to accomplish with this show— creating positive change for bees. Hopefully, ventures like this will encourage others to take similar small, manageable, but impactful actions that make a difference for at least one population.

To promote its new show titled Secrets of the Bees, National Geographic hired creative agency Meanwhile to create clever, sustainable advertisements.

 

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A post shared by Meanwhile (@meanwhileagency)

Meanwhile used the show's message to build mini bee hotels, which give solitary bees a resting spot or nesting spot, aiding their pollinator plight.

 

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A post shared by Andrew Valenti (@andrewvalenti.av)

The bee hotels, along with a “bloomboard” (a blooming billboard) featuring a pollination garden, are intended as permanent installations and are made from sustainable materials.

 

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A post shared by National Geographic (@natgeo)

Meanwhile: Website | Instagram | LinkedIn

Sources: Disney and NatGeo Built Billboards That Bees Can Actually Live In

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READ: National Geographic Promotes New ‘Secret of Bees’ Show With Billboards Doubling as Bee Hotels

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Giant Converse Sneaker Becomes a Massive Graffiti Canvas in Los Angeles https://mymodernmet.com/giant-converse-sneaker-los-angeles/?adt_ei={{ subscriber.email_address }} Thu, 21 May 2026 14:45:12 +0000 https://mymodernmet.com/?p=824117 Giant Converse Sneaker Becomes a Massive Graffiti Canvas in Los Angeles

  View this post on Instagram   A post shared by WHY (@why.cgi) A giant Converse sneaker recently appeared in Los Angeles, turning an ordinary city street into what looked like an interactive public art installation. Covered in layers of graffiti tags and handwritten messages, the oversized shoe quickly caught the internet’s attention. The project […]

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Giant Converse Sneaker Becomes a Massive Graffiti Canvas in Los Angeles

 

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A giant Converse sneaker recently appeared in Los Angeles, turning an ordinary city street into what looked like an interactive public art installation. Covered in layers of graffiti tags and handwritten messages, the oversized shoe quickly caught the internet’s attention.

The project was created in collaboration with Mixed Media and imagines the iconic sneaker as a massive graffiti-covered canvas. In the videos, crowds gather around the towering shoe and begin covering it with signatures and doodles, transforming the familiar silhouette into a constantly evolving piece of street art.

While the activation appears strikingly realistic, the project is an example of CGI-powered “fake out-of-home” advertising, often shortened to FOOH. These campaigns use visual effects to create impossible large-scale public moments designed specifically for social media engagement. In recent years, brands and creative agencies have increasingly embraced the format to produce eye-catching spectacles that blur the boundary between digital illusion and real-world environments.

The concept feels especially fitting for Los Angeles, where murals, tagging culture, skateboarding, and sneaker culture have long shaped the city’s visual identity. Rather than presenting the shoe as a pristine object, the project embraces the layered, chaotic energy associated with urban street art. Every added tag makes the sneaker feel less like an advertisement and more like a collaborative artwork created by the public itself.

The activation also aligns naturally with Converse’s longstanding relationship to self-expression and youth culture. Over the decades, the brand’s Chuck Taylor sneakers have become closely associated with artists, musicians, skaters, and DIY fashion communities around the world.

A giant Converse sneaker appeared in Los Angeles by WHY CGI and Mixed Media, transforming the iconic shoe into a graffiti-covered street art canvas.

@why.cgi Would you tag this giant @Converse shoe? #converse #whycgi #marketing ♬ original sound – WHY.CGI

Converse: Website | Instagram

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READ: Giant Converse Sneaker Becomes a Massive Graffiti Canvas in Los Angeles

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Swatch Unveils Colorful ‘Royal Pop’ Pocket Watches and Crowds Cause a Frenzy To Get Them https://mymodernmet.com/swatch-audemars-piguet-royal-pop-watch/?adt_ei={{ subscriber.email_address }} Wed, 20 May 2026 17:30:12 +0000 https://mymodernmet.com/?p=824677 Swatch Unveils Colorful ‘Royal Pop’ Pocket Watches and Crowds Cause a Frenzy To Get Them

Swiss watchmaking has always balanced tradition with reinvention. The new collaboration between Swatch and Audemars Piguet pushes that tension even further. Called Royal Pop, the eight-piece collection transforms the iconic Royal Oak into a colorful line of wearable pocket watches inspired by 1980s street style. Swatch and Audemars Piguet designed the collection by blending the […]

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Swatch Unveils Colorful ‘Royal Pop’ Pocket Watches and Crowds Cause a Frenzy To Get Them

Swatch x Audemars Piguet Royal Pop Pocket Watch

Swiss watchmaking has always balanced tradition with reinvention. The new collaboration between Swatch and Audemars Piguet pushes that tension even further. Called Royal Pop, the eight-piece collection transforms the iconic Royal Oak into a colorful line of wearable pocket watches inspired by 1980s street style.

Swatch and Audemars Piguet designed the collection by blending the Royal Oak (one of the most famous luxury sports watches) with Swatch’s playful POP watches from the ’80s. The result embraces exaggerated color, modular styling, and unexpected form. Instead of traditional wristwatches, Royal Pop features Bioceramic pocket watches suspended from interchangeable cords and chains. The collection feels less like classic luxury and more like wearable Pop Art.

Each model features Swatch’s SISTEM51 mechanical movement in a hand-wound format. The octagonal bezel directly references the Royal Oak. Bold colors like electric blue, mint green, candy pink, and fiery orange give the collection a youthful energy rarely seen in Swiss luxury watchmaking.

Royal Pop also taps into fashion’s growing fascination with accessories that blur categories. Wearers can style the watches as necklaces, clip them onto garments, or display them as collectible objects. In many ways, the pieces feel closer to statement jewelry than conventional timepieces.

That fashion-forward approach helped fuel one of the year’s biggest luxury frenzies. Ahead of the May 16 release, crowds gathered outside Swatch stores in cities like New York, Paris, London, Dubai, Singapore, and Milan. Some locations temporarily closed because of overcrowding. Videos online showed overnight lines, police intervention, and chaotic scenes as collectors and resellers rushed to secure the watches.

What followed was immediate. Pieces began surfacing on resale platforms within hours, with prices climbing far beyond retail as demand outpaced availability. Swatch later clarified the collection was not limited, but by then the moment had already been defined by scarcity in practice, if not in design.

Royal Pop succeeds because it confidently embraces contradiction. The collection feels playful yet luxurious, nostalgic yet futuristic, and collectible yet accessible. Instead of preserving watchmaking tradition behind glass, Swatch and Audemars Piguet transform it into something vibrant, wearable, and deeply connected to contemporary fashion culture.

As luxury continues to intersect with streetwear, drops, and internet spectacle, Royal Pop feels less like a novelty and more like a glimpse into the future of design culture.

The new Royal Pop collection transforms Audemars Piguet’s iconic Royal Oak luxury sports watch into a series of colorful pendant-style pocket watches.

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Swatch x Audemars Piguet Royal Pop Pocket Watches

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Inspired by Swatch’s playful POP watches from the 1980s, the collection embraces bold color, oversized design, and wearable styling.

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Swatch x Audemars Piguet Royal Pop Pocket Watches

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Swatch x Audemars Piguet Royal Pop Pocket Watches

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Swatch x Audemars Piguet Royal Pop Pocket Watches

Swatch x Audemars Piguet Royal Pop Pocket Watches

Bright shades of cobalt blue, neon green, hot pink, and orange turn the classic Royal Oak into something closer to wearable Pop Art than traditional Swiss luxury.

Swatch x Audemars Piguet Royal Pop Pocket Watches

Swatch x Audemars Piguet Royal Pop Pocket Watch

Swatch and Audemars Piguet Release Colorful Royal Pop Watches

Ahead of the May 16 release, massive crowds gathered outside Swatch stores worldwide as collectors rushed to secure the highly anticipated watches.

 

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A post shared by The Straits Times (@straits_times)

Swatch: Website | Instagram

All images via Swatch.

Sources: Audemars Piguet & Swatch break the rules of watchmaking; Shoppers’ Frenzy for ‘Royal Pop’ Pocket Watches Forces Swatch to Shut Stores

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READ: Swatch Unveils Colorful ‘Royal Pop’ Pocket Watches and Crowds Cause a Frenzy To Get Them

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The Met x BAND-AID Unveil Art Bandages That Let You Heal Wounds With Famous Paintings https://mymodernmet.com/band-aid-the-met/?adt_ei={{ subscriber.email_address }} Tue, 19 May 2026 19:20:51 +0000 https://mymodernmet.com/?p=824589 The Met x BAND-AID Unveil Art Bandages That Let You Heal Wounds With Famous Paintings

Research shows that looking at art can be good for your health, and now, famous paintings can literally help heal your wounds. BAND-AID recently collaborated with The Metropolitan Museum of Art to launch a series of flower-themed adhesive bandages featuring details from famous paintings by Claude Monet, Vincent van Gogh, and Odilon Redon. The pack […]

READ: The Met x BAND-AID Unveil Art Bandages That Let You Heal Wounds With Famous Paintings

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The Met x BAND-AID Unveil Art Bandages That Let You Heal Wounds With Famous Paintings

BAND-AID x The Met Art Bandages

Research shows that looking at art can be good for your health, and now, famous paintings can literally help heal your wounds. BAND-AID recently collaborated with The Metropolitan Museum of Art to launch a series of flower-themed adhesive bandages featuring details from famous paintings by Claude Monet, Vincent van Gogh, and Odilon Redon.

The pack of 50 bandages in assorted sizes lets you wear a little part of The Met’s impressive collection. The designs include Claude Monet’s Water Lilies, Vincent van Gogh’s Irises, and Odilon Redon’s Bouquet of Flowers. They let you show off your love of art while keeping cuts and scrapes protected. They’re even made with flexible Memory Weave fabric for maximum comfort.

The new art-inspired bandages mark the second collaboration between BAND-AID and The Met. In 2025, the bandage company released a popular collection inspired by three works by Japanese ukiyo-e artist Katsushika Hokusai, including his iconic woodcut print, The Great Wave off Kanagawa.

“[Our] BAND-AID® Brand collaboration celebrates highlights from The Met collection—from the colorful floral paintings of Monet, Redon, and Van Gogh to Hokusai’s dynamic woodblock prints,” said Josh Romm, The Met’s head of global licensing and partnerships. “These artists, working in different eras and traditions, are connected by a shared fascination with the natural world. Translating their works into a unique format—bandages—allows a whole new way to appreciate and live with art every day.”

You can now get a pack of these art-inspired adhesive bandages at BAND-AID’s website. For the previous BAND-AID collaboration with The Met, you can find the artistic adhesive bandages on Amazon, Target, and CVS.

BAND-AID recently collaborated with The Met to launch a series of floral, art-themed adhesive bandages.

BAND-AID x The Met Art Bandages

The designs let you heal wounds with Claude Monet’s Water Lilies, Vincent van Gogh’s Irises, and Odilon Redon’s Bouquet of Flowers.

BAND-AID x The Met Art Bandages

BAND-AID x The Met Art Bandages

BAND-AID x The Met Art Bandages

The pack of 50 bandages in assorted sizes lets you wear a little part of The Met’s impressive collection.

 

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A post shared by BAND-AID® Brand (@bandaidbrand)

 

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A post shared by BAND-AID® Brand (@bandaidbrand)

 

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A post shared by BAND-AID® Brand (@bandaidbrand)

BAND-AID: Website | Facebook | Instagram

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READ: The Met x BAND-AID Unveil Art Bandages That Let You Heal Wounds With Famous Paintings

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Vibrant Stage Design Brings Natural Forms of Mushrooms and Coral Reefs to Coachella https://mymodernmet.com/do-lab-stage-design-coachella/?adt_ei={{ subscriber.email_address }} Fri, 15 May 2026 16:35:32 +0000 https://mymodernmet.com/?p=823607 Vibrant Stage Design Brings Natural Forms of Mushrooms and Coral Reefs to Coachella

Music festivals wouldn’t be the same without the incredible stages that not only host the artists, but also create immersive experiences for the audience. For Coachella, Los Angeles-based creative studio Do LaB—founded by brothers Josh, Jesse, and Dede Flemming—creates environments that merge art, architecture, and music. Unlike the festival’s main stages, Do LaB’s distinct spaces […]

READ: Vibrant Stage Design Brings Natural Forms of Mushrooms and Coral Reefs to Coachella

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Vibrant Stage Design Brings Natural Forms of Mushrooms and Coral Reefs to Coachella

Do LaB Stage Design Coachella

Music festivals wouldn’t be the same without the incredible stages that not only host the artists, but also create immersive experiences for the audience. For Coachella, Los Angeles-based creative studio Do LaB—founded by brothers Josh, Jesse, and Dede Flemming—creates environments that merge art, architecture, and music. Unlike the festival’s main stages, Do LaB’s distinct spaces are more intimate, built around emerging acts and spontaneous performances.

At this year’s Coachella, Do LaB created a large-scale installation called Macrodose. The immersive piece featured a network of organic, pod-like forms that came together to form a continuous canopy overhead. Instead of a conventional stage, it acted as a walk-through environment, designed to be experienced from different angles and viewpoints.

Macrodose featured huge cantilevered arms extending up to 50 feet overhead, with the engineering hidden beneath more than 1,600 custom-fabricated panels. The pod-like forms were inspired by mushrooms and coral reefs, and were designed to respond to wind and other natural elements. Lighting and atmospheric elements were built directly into the organic-like structures, allowing the atmospheric environment to transform from day to night.

Even after two decades of designing stages, Do LaB’s work is still evolving. The family-run company treats each new project as a chance to experiment, and to explore new ideas in form, materials, and how spaces connect with music and audiences. Do LaB says, “The goal is to create environments that feel immersive, kinetic, and emotionally engaging—spaces where experience itself becomes the artwork.”

To see more of their work, you can follow Do LaB on Instagram.

Creative studio Do LaB create immersive festival stages that merge art, architecture, and music.

Do LaB Stage Design Coachella

At this year’s Coachella, the family-run team created a large-scale installation called Macrodose.

Do LaB Stage Design Coachella

The immersive piece featured a network of organic, pod-like forms that came together to form a continuous canopy overhead.

Do LaB Stage Design Coachella

The dynamic forms were inspired by mushrooms and coral reefs, and were designed to respond to wind and other natural elements.

Do LaB Stage Design Coachella

Instead of a conventional stage, Macrodose acted as a walk-through environment, designed to be experienced from different angles and viewpoints.

Do LaB Stage Design Coachella

Do LaB Stage Design Coachella

Do LaB Stage Design Coachella

Do LaB Stage Design Coachella

Do LaB Stage Design Coachella

Do Lab: Instagram

My Modern Met granted permission to feature photos by Do Lab.

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READ: Vibrant Stage Design Brings Natural Forms of Mushrooms and Coral Reefs to Coachella

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Artist Paints, Embroiders, and Sews Gorgeous Gowns Fit for a Fairytale Princess https://mymodernmet.com/sylvie-facon-creative-fashion-dresses/?adt_ei={{ subscriber.email_address }} Thu, 14 May 2026 16:35:59 +0000 https://mymodernmet.com/?p=823315 Artist Paints, Embroiders, and Sews Gorgeous Gowns Fit for a Fairytale Princess

  View this post on Instagram   A post shared by Sylvie Facon Créatrice France (@sylviefaconcreatricefrance) Fashion is a vehicle for whimsy and storytelling when it’s in the hands of Sylvie Facon. Her work is the epitome of wearable art, in which entire landscapes and beautiful bouquets emerge from the delicate layers of lace and […]

READ: Artist Paints, Embroiders, and Sews Gorgeous Gowns Fit for a Fairytale Princess

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Artist Paints, Embroiders, and Sews Gorgeous Gowns Fit for a Fairytale Princess

Fashion is a vehicle for whimsy and storytelling when it’s in the hands of Sylvie Facon. Her work is the epitome of wearable art, in which entire landscapes and beautiful bouquets emerge from the delicate layers of lace and tulle. They are as intricately constructed as their stories are layered, folding the wearer into Facon’s form of visual poetry.

The French designer is a multifaceted talent and uses her skills in painting, embroidery, and textile design to fashion her garments. One of her favorite techniques uses a transparent tulle background as the canvas for illustrations made using appliqué and layers of lace. The approach allows her to create an element—such as a cityscape—and make it look like it’s floating over skin. Often, the statement-making elements are enhanced with touches of paint or pearling.

Facon’s inspiration is clear, forming a throughline in each piece: nature, vegetation, and flowers. Sometimes, Pre-Raphaelite painting and fairytale motifs are splashed across her dresses, communicated through imagery like a beaded heart spread across the chest. Here, her raw materials are vital, as she uses them like shorthand. Floral lace is just one example. “The diversity of floral lace provides her with a whole range of motifs that resonate with her creative universe,” she shares on her website, “floral patterns of roses, peonies, tulips, or irises, in full bloom, in bud, or in bouquets; motifs of branches, foliage, grasses, and other vines arranged in rhythmic compositions; and delicate, spiderweb-like lace patterns.”

To stay updated on what the artist creates next, you can follow Sylvie Facon on Instagram.

Fashion is a vehicle for whimsy and storytelling when it’s in the hands of Sylvie Facon. Her work is the epitome of wearable art.

Sylvie Facon: Website | Instagram | Facebook

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READ: Artist Paints, Embroiders, and Sews Gorgeous Gowns Fit for a Fairytale Princess

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LEGO Raises Age Limit to 100+ in Honor of Sir David Attenborough’s 100th Birthday https://mymodernmet.com/lego-david-attenborough-100/?adt_ei={{ subscriber.email_address }} Tue, 12 May 2026 19:20:26 +0000 https://mymodernmet.com/?p=823047 LEGO Raises Age Limit to 100+ in Honor of Sir David Attenborough’s 100th Birthday

Embed from Getty Images The legendary David Attenborough turned 100 on May 8, 2026, and LEGO celebrated the milestone with a playful update, raising the age limit on its LEGO sets from 99+ to 100+. “Happy 100th birthday, Sir David Attenborough,” the company wrote on Instagram. “There’s no age limit for those who never stop […]

READ: LEGO Raises Age Limit to 100+ in Honor of Sir David Attenborough’s 100th Birthday

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LEGO Raises Age Limit to 100+ in Honor of Sir David Attenborough’s 100th Birthday

Embed from Getty Images

The legendary David Attenborough turned 100 on May 8, 2026, and LEGO celebrated the milestone with a playful update, raising the age limit on its LEGO sets from 99+ to 100+. “Happy 100th birthday, Sir David Attenborough,” the company wrote on Instagram. “There’s no age limit for those who never stop playing.”

LEGO isn’t just for kids. In recent years, the toy manufacturer has released a growing range of sets for adults, designed to inspire creativity and relaxation. Earlier this year, we shared the story of an 85-year-old woman who began building complex LEGO sets to help regain movement in her fingers after breaking her thumb. There’s also a grown-up builder known as Koenkun Bricks who recently created a fully functioning typewriter entirely from LEGO pieces. Together, they’re a reminder that play and creativity really have no age limit.

After LEGO shared its tribute to David Attenborough, people filled the comments with stories about older loved ones enjoying LEGO building too. One person wrote, “We gave a set to my 102 year old great aunt. She was always a rule breaker. She loved her great great nephew helping her out with it together.” Another person joked, “I’m so relieved that people over 100 will no longer be arrested for playing with LEGOs.”

It’s not clear whether David Attenborough enjoys building LEGO sets, but his playful curiosity and enthusiasm for learning make the tribute feel especially fitting.

David Attenborough turned 100 on May 8, 2026, and LEGO celebrated the milestone by raising the age limit on its sets from 99+ to 100+.

 

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LEGO: Website | Facebook | Instagram

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READ: LEGO Raises Age Limit to 100+ in Honor of Sir David Attenborough’s 100th Birthday

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ICFF 2026: What You Need to Know About the Furniture Expo Before It Opens https://mymodernmet.com/international-contemporary-furniture-fair-2026-preview/?adt_ei={{ subscriber.email_address }} Sun, 10 May 2026 12:50:50 +0000 https://mymodernmet.com/?p=821841 ICFF 2026: What You Need to Know About the Furniture Expo Before It Opens

Beginning on May 17, the Javits Center in Manhattan will transform into a beacon of interior and product design, thanks to the 2026 International Contemporary Furniture Fair (ICFF). Since 1989, ICFF has offered a critical platform for designers, retailers, and collectors to pursue commercial partnerships and, perhaps more importantly, discover new and established talent alike. […]

READ: ICFF 2026: What You Need to Know About the Furniture Expo Before It Opens

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ICFF 2026: What You Need to Know About the Furniture Expo Before It Opens
Tartan weave rug by Cicil Home. (Courtesy Cicil)

Tartan weave rug by Cicil Home. (Courtesy Cicil)

Beginning on May 17, the Javits Center in Manhattan will transform into a beacon of interior and product design, thanks to the 2026 International Contemporary Furniture Fair (ICFF). Since 1989, ICFF has offered a critical platform for designers, retailers, and collectors to pursue commercial partnerships and, perhaps more importantly, discover new and established talent alike. This year, the fair will once again host hundreds of brands from around the world, all while celebrating the past, present, and future of furniture design.

As with previous editions, ICFF’s 2026 exhibitor directory is as curated as it is expansive. Each presentation responds to the fair’s annual theme of “common ground,” which seeks to position design not just as a universal principle, but as a unifying force regardless of perspective, discipline, or medium. That sense of connectivity extends into the very fabric of ICFF and the evolved floor plan it will introduce this year. Conceived in collaboration with Rodolfo Agrella Design Studio (RADS), the new model organizes the festival into clearly defined zones without sacrificing moments of exchange. The result, ICFF hopes, will combine engagement with openness, ultimately sparking unexpected relationships between various design categories. Whether it be plush sofas, kitchen supplies, lavish textiles, or lighting collections, these objects are all united in their endeavor toward beauty and functionality.

ICFF’s “Common Ground” framework also informs its 2026 programming, which touches on everything from inclusive social strategies to sustainable design. Dwell’s editor-in-chief William Hanley, for instance, will investigate the affordable housing crisis, while Julie Lasky of the New York Times will moderate a panel focused on how the Mamdani administration can support New York’s design community. The fair’s expanded WANTED feature is equally ambitious, gathering more than 70 North American design studios in “Look Book,” over 80 emerging designers in “Launch Pad,” and some 20 schools in “Schools Showcase.” Occupying about 20,000 square feet of the show floor, WANTED lies at the heart of ICFF, emphasizing what’s “new, fresh, and upcoming in design,” according to the fair.

Particularly exciting is Rarify’s landmark exhibition of Bauhaus archival materials, pulled from Bauhaus Archiv Berlin. The display will pair original drawings, prints, and design artifacts with contemporary furniture by German manufacturer Tecta, tracing both the history and evolution of one of the world’s most influential creative movements. Notable entries include a rare “folding Wassily chair” by Marcel Breuer as well as upholstered sofas and chairs by Bauhaus co-founder Walter Gropius.

“We believe New York is the best place for this exhibition to exist,” Jeremy Bilotti of Rarify told ICFF in a recent interview. “By creating [this] immersive display, we hope to communicate the idea that design is not simply about decorating, but is an academic discipline in its own right.”

ICFF stands as a major highlight during New York’s NYCxDESIGN Festival, which will be held from May 14 to 20, 2026. The annual, citywide celebration encompasses 10 design disciplines and more than 250 events, spanning open studio conversations, keynotes, tours, and even an outdoor pavilion.

To learn more about this year’s edition and featured exhibitors, visit the ICFF website.

On May 17, the 2026 edition of the International Contemporary Furniture Fair will touch down at the Javits Center in New York.

Furniture designed by Zieta Studio. (Courtesy Zieta)

Furniture designed by Zieta Studio. (Courtesy Zieta)

Adel Serhany

Adel Serhany

Furniture by Sol Seven Studios. (Courtesy Sol Seven)

Furniture by Sol Seven Studios. (Courtesy Sol Seven)

Haystack lamp by Joint Endeavors. (Courtesy Joint Endeavors)

Haystack lamp by Joint Endeavors. (Courtesy Joint Endeavors)

Living room furniture by Ligne Roset. (Courtesy Ligne Roset)

Living room furniture by Ligne Roset. (Courtesy Ligne Roset)

Mirrors by Zieta Studio. (Courtesy Zieta)

Mirrors by Zieta Studio. (Courtesy Zieta)

Brayton Chair by Cory Christiansen Design (Courtesy Cory Christiansen)

Brayton Chair by Cory Christiansen Design (Courtesy Cory Christiansen)

Installation view of last year’s ICFF, held at Javits Center in New York, NY. (Photo: Jenna Bascom)

Installation view of last year’s ICFF, held at Javits Center in New York, NY. (Photo: Jenna Bascom)

As one of the world’s premier design festivals, ICFF will gather hundreds of designers, brands, collectors, and retailers, offering a comprehensive glimpse into creative practices around the world.

Tikamoon’s Eden collection. (Courtesy Tikamoon)

Tikamoon’s Eden collection. (Courtesy Tikamoon)

Lighting by Shailesh Rajput Studio. (Courtesy Shailesh Rajput)

Lighting by Shailesh Rajput Studio. (Courtesy Shailesh Rajput)

Bohall Design and Fabrication

Bohall Design and Fabrication

“Me-Time” sofa by Moroso. (Courtesy Moroso)

“Me-Time” sofa by Moroso. (Courtesy Moroso)

Melina lighting by Hand&Eye. (Courtesy Hand&Eye)

Melina lighting by Hand&Eye. (Courtesy Hand&Eye)

Tables by Ian Love Design. (Courtesy Ian Love)

Tables by Ian Love Design. (Courtesy Ian Love)

Terracotta collection by Hand&Eye. (Courtesy Hand&Eye)

Terracotta collection by Hand&Eye. (Courtesy Hand&Eye)

GROHE’s Listra collection. (Courtesy GROHE)

GROHE’s Listra collection. (Courtesy GROHE)

Rift tables by Hadil AlKhatib Studio. (Courtesy Hadil AlKhatib)

Rift tables by Hadil AlKhatib Studio. (Courtesy Hadil AlKhatib)

Furniture set by Ethnicraft. (Courtesy Ethnicraft)

Furniture set by Ethnicraft. (Courtesy Ethnicraft)

A floor lamp and table lamp designed by A-N-D Light. (Courtesy A-N-D)

A floor lamp and table lamp designed by A-N-D Light. (Courtesy A-N-D)

International Contemporary Furniture Fair: Website | Instagram

My Modern Met granted permission to feature photos by ICFF.

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READ: ICFF 2026: What You Need to Know About the Furniture Expo Before It Opens

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Eileen Gu’s Met Gala “Bubble Dress” Made of 15,000 Glass Spheres Blew Actual Bubbles https://mymodernmet.com/eileen-gu-met-gala-2026/?adt_ei={{ subscriber.email_address }} Thu, 07 May 2026 16:35:11 +0000 https://mymodernmet.com/?p=822085 Eileen Gu’s Met Gala “Bubble Dress” Made of 15,000 Glass Spheres Blew Actual Bubbles

Embed from Getty Images The 2026 Met Gala’s “Fashion Is Art” theme blurred the line between runway and exhibition, and Eileen Gu definitely understood the assignment. The Olympian did’t just arrive on the red carpet; instead, she activated it. Her entrance felt intentional and precise, setting the tone for a look that moved beyond spectacle […]

READ: Eileen Gu’s Met Gala “Bubble Dress” Made of 15,000 Glass Spheres Blew Actual Bubbles

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Eileen Gu’s Met Gala “Bubble Dress” Made of 15,000 Glass Spheres Blew Actual Bubbles

Embed from Getty Images

The 2026 Met Gala’s “Fashion Is Art” theme blurred the line between runway and exhibition, and Eileen Gu definitely understood the assignment. The Olympian did’t just arrive on the red carpet; instead, she activated it. Her entrance felt intentional and precise, setting the tone for a look that moved beyond spectacle and into performance.

In a moment that felt equal parts couture and kinetic sculpture, Gu stepped onto the steps of the Metropolitan Museum of Art wearing a living artwork. The bubble-formed mini dress by Iris van Herpen, created in collaboration with A.A. Murakami, transformed the red carpet into a stage. Rather than functioning as a static garment, the piece operated as an evolving visual experience, shifting with each step and drawing attention to the space around it as much as the body within it.

Dubbed the Airo look, the design reimagines couture as something dynamic rather than fixed. The strapless silhouette, structured like a futuristic tutu, features 15,000 hand-formed glass bubbles. Each sphere captures and refracts light, creating a constantly changing surface that feels both delicate and highly engineered. As a result, the dress reads as luminous and atmospheric, hovering between material and illusion.

However, the real impact unfolded through movement. Inside the garment, a system of air pumps and microprocessors controlled the timed release of bubbles. As Gu walked, the dress performed in real time. Consequently, she becomes part of the work itself, not just its wearer. This integration of fashion and responsive technology expands van Herpen’s bio-futurist approach, pushing it into a space that feels immersive, controlled, and fleeting all at once.

For years, van Herpen has explored the intersection of fashion, science, and the human body. Here, that investigation becomes more focused. The design draws from the idea that the body is largely composed of empty space, echoing scientific understandings of matter. In turn, the dress gives form to something typically invisible, translating the architecture of air into a wearable structure that feels both conceptual and tangible.

At the same time, the craftsmanship remains rooted in couture discipline. The piece required approximately 2,550 hours to complete, combining traditional handwork with advanced fabrication techniques. Although the glass spheres appear soft and weightless, their arrangement demands extreme precision. Each element must hold its position while maintaining the illusion of lightness, balancing fragility with structural integrity.

Gu’s look reframed what a red carpet moment can be. Styled with transparent heels and minimal accessories, she allowed the garment to remain the focal point. Meanwhile, many attendees leaned into historical references drawn from painting and sculpture. In contrast, this look embraced a distinctly contemporary perspective. Fashion becomes experience rather than representation. It unfolds over time, responding to movement and environment rather than remaining fixed for the camera.

At a gala dedicated to the idea that fashion is art, Gu and van Herpen did not simply interpret the theme. Instead, they demonstrated how couture can operate as a living system, merging design, technology, and performance into a single, evolving work.

Olympian Eileen Gu attended the 2026 Met Gala in a tech-couture bubble dress designed by Iris van Herpen.

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Thousands of glass spheres and hidden mechanics turned movement into performance.

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This look served as a signal for a future where fashion is fully experiential.

The dress even blew real bubbles, transforming the body into a living artwork

Eileen Gu: Instagram | TikTok
Iris van Herpen: Website | Instagram

Sources: Fit Check: Eileen Gu Becomes a Living Art Installation in a Tech-Powered Bubble Gown at the 2026 Met Gala; Iris van Herpen crafts “dissolving” Met Gala dress from 15,000 glass bubbles

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READ: Eileen Gu’s Met Gala “Bubble Dress” Made of 15,000 Glass Spheres Blew Actual Bubbles

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Met Gala 2026: How Attendees Interpreted the “Fashion Is Art” Theme on the Red Carpet https://mymodernmet.com/met-gala-2026-red-carpet/?adt_ei={{ subscriber.email_address }} Tue, 05 May 2026 20:15:21 +0000 https://mymodernmet.com/?p=821526 Met Gala 2026: How Attendees Interpreted the “Fashion Is Art” Theme on the Red Carpet

  View this post on Instagram   A post shared by Vogue (@voguemagazine) The first Monday in May is known as “fashion’s biggest night out,” aka the Met Gala. This annual fete raises money for the Metropolitan Museum of Art’s Costume Institute and marks the start of its exhibition. Opening May 10, 2026, is the […]

READ: Met Gala 2026: How Attendees Interpreted the “Fashion Is Art” Theme on the Red Carpet

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Met Gala 2026: How Attendees Interpreted the “Fashion Is Art” Theme on the Red Carpet

 

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A post shared by Vogue (@voguemagazine)

The first Monday in May is known as “fashion’s biggest night out,” aka the Met Gala. This annual fete raises money for the Metropolitan Museum of Art’s Costume Institute and marks the start of its exhibition. Opening May 10, 2026, is the Costume Art show, which uses the dressed body to examine garments from The Costume Institute. From the show concept came the theme of the 2026 Met Gala: “Fashion is Art.”

Vague enough to have broad interpretations, attendees expressed the theme in many ways. Some wore garments inspired by fine art. Actor Hunter Schafer, for instance, wore a dress modeled after Gustav Klimt’s painting titled Mäda Primavesi, while actor Chase Infiniti recalled a colorful version of Venus de Milo by wearing a dress adorned with more than 1 million sequins. But of the attendees who leaned into the fine art of it all, no one was more committed than model and Project Runway host Heidi Klum. She came to the red carpet dressed like a marble statue you’d see inside the Greek and Roman wing of the museum. Inspired by the veiled statues of the 1800s, particularly Veiled Vestal by Rafaelle Monti, it’s amazing to see how much her ensemble looked like stone despite being made of fabric and foam.

Other attendees encapsulated “Fashion is Art” with sculptural elements and even a bit of performance. Madonna donned a fascinator that doubled as a ship, sails and all. The headpiece had drapey fabric attached, which trailed down her back into a long train. She stood out even among the most daring looks, as did Eileen Gu. The Olympian wore a whimsical dress by designer Iris Van Herpen that was covered in tiny bauble bubbles and even blew real bubbles as she posed for photos and videos.

This year’s Met Gala was not without its controversy. In November 2025, former Amazon CEO Jeff Bezos and his wife, Lauren Sánchez Bezos, were named lead sponsors of the 2026 Met Gala. They paid $10 million to do so, and were accused of trying to “buy their way into high society.” There were calls to boycott the event. And while 2026 still saw plenty of celebrities at the Met Gala, there were a number of A-listers that decided against it this year, taking a stand against Bezos and what billionaires like him stand for. There was also one person in particular who broke a long-standing tradition of attending: New York City’s mayor. Mayor Zohran Mamdani skipped this year’s event, being the first NYC mayor since 2002 to do so.

Scroll down to see some of the best looks from the 2026 Met Gala.

The 2026 Met Gala had the theme “Fashion is Art.” Here’s how attendees interpreted it in clever and often gorgeous ways.

 

Sabrina Carpenter

 

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Eileen Gu

 

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Heidi Klum

 

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Rihanna and A$AP Rocky

 

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Doechii

 

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Kim Kardashian

 

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Blake Lively

 

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Madonna

 

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Bad Bunny

 

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María Zardoya (of The Marias)

 

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Blue Ivy, Jay-Z, and Beyonce

 

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Hudson Williams

 

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Connor Storrie

 

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Emma Chamberlain

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LISA
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Sarah Paulson

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Katy Perry

 

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Janelle Monáe

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Alysa Liu

 

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Ayo Edebiri

 

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Hunter Schafer

 

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Naomi Osaka

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Serena Williams

 

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Chase Infiniti

 

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Teyana Taylor

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Colman Domingo 

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Lena Dunham

 

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Miles Chamley-Watson

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Kylie Jenner

 

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Anne Hathaway

 

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Odessa A’zion

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Cardi B

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SZA

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Rachel Sennott

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Kendall Jenner

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READ: Met Gala 2026: How Attendees Interpreted the “Fashion Is Art” Theme on the Red Carpet

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